A Good Piano Warm Up

Have you ever sat down at the piano to play a little bit to enjoy yourself but end up flubbing and tripping and mushing the tones together? You know that you know the music, so why does it happen?

It happens because you are not warmed up!

Just like you would jog in place or do some jumping jacks before sports practice, your fingers and hand-eye coordination also need warming up before practice.

There are some piano warm ups that are standard, that everyone learns and uses. Scales are the most common. There are various scales that you can try, the easiest being the five-finger scale. These should sound like “do re mi fa so.” Try going backward. Do not play too fast because you still want to have control over your fingers. Most students who know scales play the entire octave, which includes turning the thumb under or the hand over the thumb at different points of the scale. Intermediate and advanced students can play Major and minor scales and their arpeggios.

Some piano lesson books have pieces with the word “Study” or “Etude” in their titles. These pieces make good warm ups, too. The Michael Aaron Grade One book has many of these, so begin with the first ones and work your way on. If you have been instructed to learn some of them in different keys, now is the time to learn them.

If you play from a technical drills book such as A Dozen a Day, Hanon, or Czerny, warm up with these drills. Do not jump to the new ones. Begin with the simplest drills at the beginning of the book.

Warm ups should take about ten minutes, time not wasted. You’ll notice that your repertoire and new pieces will sound more beautiful and clear after you have warmed up properly.

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Reviewing Repertoire

Practicing piano as your child would during the lessons might become dull and monotonous, which I find ironic because piano is the opposite of monotone! Jokes aside, I will continue to beat the “3 minutes per year of age” drum, so your ten-year-old should practice his lessons for thirty minutes at least four times a week.

If he has a repertoire of lengthy pieces, he can play them during the last twenty minutes of practice (because warm ups take up the first ten minutes), focusing on volume dynamics, tempo, slurred phrases, and all the trills and frills that come with pretty music. The next time that he sits at the piano to practice, the may then concentrate on his new piece.

Focusing on details is important because he will develop muscle memory, playing the pieces on “auto-pilot,” very similarly how you would type your usernames and passwords. Repeating phrases is how this happens, and that’s just what practice is, playing the same thing over and over. Being that it also involves listening skills, the fingers will be guided by which sounds should come next.

You will notice that once he commits a piece to memory, he will practice it more smoothly and gracefully. This is how he prepares for lesson day. Come time for his lesson, he and his teacher will spend less time on reviewing and more time on new pieces. His teacher will be impressed by these developments, and you’ll feel that you got more bang for your buck in terms of piano lessons.

Even one day of solely focusing on repertoire with enhance his skills. Just as you would become tired of hearing the same thing over and over, your child will, too, which is a good thing! He will learn to change the music subtly but keeping within the written notation, hence, furthering what is called “interpretation.”

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How to Practice Piano Lessons

“What should she practice?” “How long should he practice?”

These are common questions that parents have who are interested in their children’s piano lessons.

A good rule of thumb for how long your child should practice piano lessons is 2 minutes for every year of age everyday. I know that it’s very difficult to make sure that your children practice every day. Even the most streamlined and organized of households may skip a day or two of practice. Try to keep it consistent.

Piano practice, however, is not only about time. It should mirror what we do in the lesson.

Warm up: How you warm up is determined by what your warm ups are during your lessons. Do you play from technical books such as A Dozen a Day, Hanon, or Fingerpower? Do you play chord studies from memory? Play these exercises well. If you have learned a new exercise during your last lesson, play it three times. This should take about one-third of your practice time.

Review: Play your repertoire. Play the pieces that you know. Keep three “DONT’S” in mind while you practice piano reviews:

  • Do not gloss over your pieces.
  • Do not play them fast.
  • Do not use this time to bumble, fumble, mumble, and stumble.

Pretend your teacher is right behind you, keeping beats. This time should also be about one-third of your practice.

New pieces: Practice your piano piece in sections (2 to 8 measures) by repeating the particular section until mastered, them put it all together with joining sections. Isolate the trouble spots: Focus on them by playing slowly. Learn to sing or hum your melody. If you can’t sing it, you can’t play it. This is your last third of practice time.

Above all, maintain a cheerful, healthy attitude.

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How to Practice Chord Studies

Once your child has learned the “Chord Study” exercise in a few keys, he may want to do some experimenting, what I like to call “doodling.” That’s a good thing because it will develop his creative side while still following the form that was taught to him.

The form in music that was taught is based on the Circle of Fifths (think of it as the color wheel to an artist). It has a Sharps family, and a Flats family (warm and cool colors). In a color wheel, the colors’ order is that of a rainbow, not the alphabet.

When practicing “Chord Studies” in different keys, direct your child to play them in the order of the Circle of Fifths to help him see the relationships of the order.

Just as the color wheel uses Roy G. Biv as its mnemonic, the Circle of Fifths uses Father Christmas Gave Dad An Electric Blanket… or backward, BEAD Good Clean Fun.

It takes years to learn the Circle of Fifths backwards and inside out, but once it is learned and mastered, your child may then practice “Chord Studies” (and will have learned many other technical drills) in any order. For ease, most advanced amateur and professional pianists begin at C and travels alphabetically through the keys.

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Recommended Keyboards

I know that you are busy. In order to save you time comparing sound quality and key weight on different keyboards all over town, I recommend:

At a middle of the road price, the CASIO CTK 3000 is the best beginning keyboard, appropriate for ages 5 – 7 for the first two years, 7-10 for the first year. It has no pedal function, but you really don’t need that until intermediate level. Its 9V AC Adapter goes for $25, which I recommend purchasing because it uses 6 AA batteries. Its User’s Manual can be found here (PDF).

A higher end keyboard is CASIO WK 225, appropriate for youngest beginners to intermediate young teens. It comes with AC adapter, but the pedal is sold separately for about $40. If you are ready for a long-term commitment or have many children who will learn to play, this is the best item for you. Its User’s Guide can be found here (PDF).

* The reason that Casio keyboards are listed an not any other brand such as Yamaha or Huntington is because Casio has heavier keys, meaning that they need more pressure to make a sound, which is more like an acoustic piano than the other brands. I am not compensated by Casio nor any company to promote their goods. This research is to help you and your family.

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Where to Find, Play, and Buy a Keyboard

You will probably have to spend an afternoon shopping around for a keyboard that meets your standards. Musician’s Discount in Cutler Ridge has a reasonably priced variety. Miami Music Works in Pinecrest does, too. Ask when their new models will be in store. Usually, the small Mom & Pop stores will put the older models on clearance to move their inventory. If you prefer big chain stores, Guitar Center, Best Buy, Sam Ash, Costco, and BJ’s Wholesale all have keyboards for sale.

Ask your friends, neighbors, relatives, and survey the weekend yard sales. You never know what people have stored away that they’ve forgotten about.

Shop online at Amazon or eBay.

I am just one of many piano teachers who will work with a child on an electric keyboard. Please always let your prospective instructor know what your learning tools are.

Benches are preferred over chairs because they supply the correct height, which determines how straight the wrists will be. A sturdy, adaptable bench will be between $40-$120.

Stands are preferred over tables. They come in either single or dual braces. Dual braces are superior and worth the price. The frustration that is brought by the wobbliness of a single brace is not.

Above all, keep your child comfortable, in a good posture with the keys of the instrument level between his lowest rib and his belly button. Elbows should be no less than a 90 degree angle.

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What to Look For in a Keyboard

It’s the right time to begin piano lessons, but you find yourselves without piano (and wealthy relatives who will buy you one!) Spending thousands of dollars on a musical instrument that we are not sure will keep our children’s interest for many years is not an option.

I went around town and played as many electric keyboards that I could in one afternoon. Not all keyboards were good training tools. Most did not have the weight in the keys that is necessary to develop fine motor skills. Others had a small range in terms of pitch.

What you want in a keyboard:

1. Pretty tone.

This may not like seem an important piece of the puzzle, but you will be listening to that tone for months and years into the future; you want to listen to something you can tolerate. Lower quality keyboards don’t have a pretty tone. If you don’t like it, your child won’t like it, which means your child won’t play it nor practice it nor learn it.

2. Heavy keys

These are also known as weighted keys, but some keyboards have heavy keys that are not technically “weighted.” A weighted key produces a lower or higher volume depending on how hard you hit it. You want to put some pressure on the key before it makes a sound. Lower quality keyboards have very light keys. They produce a sound by mistake even if the finger only slightly presses it down. This is very frustrating for a child (especially the perfectionist). The difference is tenths, maybe hundredths, of a second, but it is a world of difference.

3. Large range.

Count the number of black keys on the keyboard. You’ll notice that they are in a pattern: group of two, group of three, group of two, group of three, etc. A useful keyboard has this pattern at least four times, meaning that its range is four octaves. Anything wider than that is gravy.

Avoid in a keyboard:

Avoid insufferable tone, light keys, and narrow range.

A keyboard that has keys that light up when they are played are usually a distraction to the child. They don’t offer much in auditory or musical notation learning.

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