How Young is Too Young to Begin?

How old is too old?

Piano lessons can begin at any age, but there must be an optimal age, yes?

There are more than a few schools of thought on this issue. The Suzuki Method encourages very young children who can barely hold a crayon to begin instruction. An opposite view is held by the Waldorf Method: Children begin piano instruction as late as age 11. There are many valid reasons for these two very different approaches to piano instruction. It is widely held, however, that instruction plays an important role in being able to play the piano.

If you are considering piano lessons for your child, take a few moments to honestly answer these questions:

  • Does he sit and focus for 25 to 30 minutes?
  • Can he recognize the letters of the alphabet?
  • Does he take criticism with a grain of salt?

If you can answer “yes” when thinking about your three year old, then you know that he is ready for piano lessons. Because piano instruction involves stopping a child’s work and correcting it, he ought to be able to emotionally handle what one may feel is an insult. If you think that your five year old does not fit the criteria, wait a three or six months. It only takes a little bit of time to develop the maturity required for piano lessons.

On the other side of the spectrum, many adult students who have never had a music lesson or claim to be tone deaf, have learned to play piano fairly quickly.

Remember that learning a musical instrument depends not only on the intelligence and temper of the student but on the support that he receives at home from his siblings and parents. A competent, agreeable ten year old who has no place to practice will not progress if he only plays piano during his lesson. By not making time to sit to listen to their child to give them a little concert, parents take the risk of losing their child’s interest in piano.

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Unlock Smooth Playing: The Secret of Hand Shifts on Piano

When you see finger numbers written on sheet music, it can feel like a strict rulebook you have to follow perfectly. But the finger numbers aren’t the “answer.’ They’re more like friendly reminders 📝. Their real purpose is to help your hand move smoothly across the keys so you can play the notes easily and clearly.

This short video shows why shifting your hand position is key to matching the finger number with the note you need to play next 👉👈. Instead of thinking, “Which finger should I use here?” try thinking, “Where does my hand need to be so this finger can comfortably reach that note?” The hand isn’t stuck in one spot. It’s constantly moving and adjusting to prepare for what’s coming 🔄.

If you just follow finger numbers without moving your hand, you might find yourself stretching too far or playing tensely 😣. Learning to shift your hand naturally will make your playing smoother, faster, and less tiring 🎶💨.

Remember: the numbers are not a strict rule. They’re guides to help your hand reset and flow from one position to the next 🌟. Practice shifting your hand along with your fingers, and watch your piano playing improve! 🚀🎹

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See the Sharps: A Powerful Piano Trick for Key Signatures

Learning the order of sharps doesn’t have to be confusing or filled with cheesy rhymes. Instead, I demonstrate a simple, visual trick on the piano keyboard. It helps students recognize the order of sharps—F♯, C♯, G♯, D♯, A♯—without memorizing a phrase.

This pattern follows a sequence of perfect fifths. However, instead of talking about music theory terms, I show how each sharp is spaced on the piano in a way that’s easy to see. The visual spacing between the black and white keys makes the logic click, especially for intermediate students who are just beginning to understand key signatures.

If you’re a parent looking for ways to help your child practice at home, this video gives you a straightforward method that sticks. Plus, no fancy language, no shortcuts. Just a real look at how music is built—right there on the keyboard.

It’s quick, clear, and a little bit surprising how easy it is once you spot the pattern. So, try it yourself and see how much more sense key signatures start to make!

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What’s Alberti Bass? The Great Animator for your playing.


Once you can play a melody with your right hand pretty well, step it up by adding accompaniment with the left hand.

Start with one tone with the left while playing with the right. You don’t have to play one for every right hand tone. One right hand tone over three or four left hand tone will suffice for a beginning pianist.

Try two at the same time.

Then three.

This one is a bit tricky because the pinky finger on the left hand is heavily relied upon, and many people don’t have that natural strength. It needs to be developed and also makes the music sound blocky, almost choppy, which is not great if that’s not what you’re going for.

Practice pinky strength and precision using this pattern. The left hand pinky is required to produce the strongest tone with high frequency.

Try it! You ‘ll like it!

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Proper Wrist Alignment for Children When Playing the Piano

I have always enjoyed running. When I was younger (before parenthood), I really liked sprinting. My favorite sport was and still is association football (soccer). As a defender, I sprinted a lot. I helped to defend the goal and made all the throw-ins and took all the corners.

And now, in my 40s, I still run – perhaps 20 miles a week, but I haven’t sprinted in ages. Fortunately, my joints are still in good shape as I never liked to feel strain and never played through an injury.

Just like in sports, a young musician may suffer an injury if the form is incorrect.

Piano teachers don’t repeat, “Sit up,” or “Straighten your wrists,” because they enjoy it. They do it so that the students don’t suffer an injury.

Tension and compression may result in carpal tunnel syndrome or tendinitis. The tiny muscles, ligaments, and joints can heal when used properly. If overused in a small amount of time (say, practicing for one hour after a week of no practice) or poorly used over a long time (as in poor form), then the joints and surrounding systems won’t heal correctly.

This causes pain and can eventually lead to serious injuries. Keeping the wrist straight, not curved upward nor sagging, takes a bit of getting used to, but it’s not painful and not tiresome.

I don’t want to scare you, but I don’t want to gloss over it, either.

An ounce of prevention is worth a pound of cure, and it’s easier to prevent an injury by doing things right. There shouldn’t be discomfort when using correct posture.

A good way to check that wrists are straight is by running your finger under your child’s wrists.

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Musical Hashtags and Eyebrows

I think it’s so cute when children point to a symbol in music and ask,
“What’s that hashtag (or smiley face, eyebrow, &c) ? “
Some of the symbols in music really do look like eyebrows, headphones, half-hearts, and other objects.

Learning to read notes isn’t the most important skill in music. It’s usually what is first taught as the notes are certainly an important factor. The symbols are what give the notes their personality.

Think of them like the different herbs in cooking. You wouldn’t put rosemary in a taco unless you ‘re going for a Thanksgiving taco theme. Would you serve tacos without cilantro? Maybe you would, but a flour tortilla and plain beef isn’t much of a taco unless that’s your jam.

Okay, I’m hungry now, so let’s wrap it up…. mmmm Wraps.

The musical symbols each have their special names that mean exactly what they say:

Sharp pierces or lifts a tone.

Flat flattens or lowers a tone.

The accent emphasizes a tone.

A fill fills in a few beats with improvisation.

Grace notes add an extra bit of grace to separate tones.

Those are just some of the English terms.

There are so many more! Music is filled with dynamics and speeds that change the quality of a sound, making it music.


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Why Perfect Pitch Doesn’t Matter

Begin developing perfect pitch with your young child today.

You may have heard the terms “perfect pitch” or “absolute pitch.” Basically, a person with perfect pitch can identify the name of a tone. This is similar to how you can identify that a color is blue or red or yellow.

Having perfect pitch goes a bit deeper than that. It is similar to the ability or discriminating between vermilion and scarlet or sea-foam and turquoise.

This is important mostly when a musician is looking at a piece of music and wants to be able to sing that melody. One can sing it in one’s mind while reading the music but without the aid of an instrument.

When does one begin learning perfect pitch?

Absolute pitch can be learned at an early age with an instrument that is tuned to our Western pitches. Reviewing the tones with your child early and often will allow your child to develop perfect pitch. You can even do it if you are not musically inclined.

Again, it is a useful skill to have. Albeit, if your child does not eventually learn to read music, there is little value in it, like being able to identify spices by taste but not being able to read a recipe.

Personally, I am in the category of relative pitch. I cannot identify a tone by its absolute name. For example, I’ll tell you that the color is blue-green, but I can’t tell you that it is teal or aquamarine. However, I can use my relative pitch to stay within a palette (teal, persimmon, and peach as opposed to aqua, sand, and silver. I like colors. 😉)

Emily Henderson Home Design using teal, persimmon, and peach
Chesneys fireplace surrounded by aqua, sand, and hints of emerald

I use my relative pitch to stay within the palette when reading music – or the key signature of the scales. After I know the initial tone, I can read the music and sing. If the notes are going up, down, or repeating, I follow that with my pitch.

If you practice training your child’s ear, make sure that your instrument is tuned. Use free videos with perfect pitch training on YouTube. Go a little at a time, a few minutes per session, several times a week. Set a goal to eventually have your child learn to read music to use his or her skills to the fullest.

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How To Give Your Child Talent

We all want our children to have talent, to that have extra set of skills and abilities that will help them succeed in music. How can we give them that which keeps people awestruck, that makes them declare, “You’re so talented”?

There are only three things that a child needs to develop this talent. These things are 100% under your control:


  • Time in the day to practice.
  • Space in the home to practice.
  • Materials on which to practice, including a proper instrument and learning guides.

If you want to learn in detail how you can support your child in developing his or her talent, sign up to get your free Parent’s Checklist PDF. It is a wonderful guide to help you give your child that extra set of skills to succeed in music.

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Three Things to Look For When Learning Piano

1. Many children begin learning to play the piano in a Middle C position. Some children like to be able to squeeze their two thumbs onto the one key, but it’s not a good habit because their thumbs will grow.

In time, the thumbs will not fit, and the habit will produce three keys’ being smashed together (one on the left, Middle C, and one on the right). The best thing to do is to hover the non-playing thumb over the playing one.


2. Play with curled fingers. Just as important as posture, striking the key with a curled finger allows the finger to be used properly, the way it was designed. Fingers are meant to turn inward, to grasp, and to squeeze.

Using the finger in that manner will keep the joints healthy and strong. The fingertip, just before the nail meets the skin, is a good place to strike. If the nails are too long, then there will be a clackity clack sound.


3. Keep the wrists off of the surface that lies between the pianist and the keys. Many children like to rest their wrists on this surface, but that invites injury. The tendons on the back of the hand are not designed to make the motions that that posture requires.

It is best to keep the wrists straight and off of that surface. I like to call it Spiders & Lava because it’s best to leave those alone.

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Conserving Energy While Playing Piano

You might think that playing piano isn’t demanding on the energy levels, being that most pianists sit and push buttons. On the contrary, there is so much stuff going on in between the ears that learning a new piano piece increases breathing and heart rate.

To conserve some of that energy, it’s necessary to relax the shoulders and to keep good posture. This allows the circulation to be more efficient.

Now we go to small muscle groups like the hands and fingers. Make sure that the fingers are slightly curved but not on purpose. They hands should be relaxed. Think about how your hands are when you’re ready for sleep: the fingers are curled a bit. The hand is not stiff but loose and flexible.

When the key is struck, the finger should be curled in. Again, not stiffly but loosely. Think of the natural motion of the hand: to grasp, the fingers curl inward with the palm muscles doing the work. In the same manner, the gripping muscles should be working to strike the keys.

Thinking about these things might feel draining, especially to a new student, but nurturing good habits is what will keep injuries at bay. Moving ligaments and tendons in ways that they are not designed is what causes strain.

Your child will enjoy decades of healthy playing with the proper techniques of conserving energy.

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Learning the Whole Range of the Piano

The first time that I tied ballet slippers to my four year old feet, I knew that I wanted to dance for the rest of my life.

That is – until I saw the vastness of the ballroom: the clean, shiny, wooden strips of floor running into eternity and onto the mirrors that were 100 stories high!

Yeah, no thanks. I’ll hide in the dressing room.

Eventually, I got comfortable flexing and pointing my feet on the open floor in center stage and learning to revelé downstage.

Yong ballerinas warm up their ankles, center stage.

A piano, even a small keyboard, might feel like that vast stage to a young music student. There are just so many keys; two colors. They each make a particular sound, but what’s the pattern? Why do these sound like little birds and these like thunder?

I explain the keyboard to the child then teach a few exercises to encourage playing in all octaves. After a few minutes, most children can play little tunes on their own!

Children as young as 4 can begin learning their way around a full size piano. Sign up for my online course when you feel that your child is ready to learn beautiful piano music!

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